Nightmare has an sadly generic title, but it surely’s the phrase in its most literal utilization, referring to the “Mare”—a creature from folklore thought to torment sleepers. In Norwegian writer-director Kjersti Helen Raasmussen’s new movie, coming to Shudder this week, it takes the type of a very nasty dream demon.
Nightmare has sure components in widespread with Rosemary’s Baby and A Nightmare on Elm Road (particularly half 5, The Dream Little one), but it surely’s additionally its personal murky beast. It begins as Mona (Thelma’s Eili Harboe) and Robby (Herman Tømmeraas) transfer right into a spacious however dilapidated apartment they’re solely in a position to afford due to Robby’s new job… and the unavoidable incontrovertible fact that the final tenant (“a pregnant girl” is all we find out about her) died on the premises. The movie opens with textual content explaining what “sleep paralysis” is, so it’s no shock when Mona begins having goals so vividly terrible she’s afraid to shut her eyes at evening. It doesn’t assist that the brand new house, which she’s renovating solo as a consequence of Robby’s hectic schedule, envelops her in a hostile atmosphere, full with unsettling sounds each inside (numerous buzzing flies) and outdoors (neighbors who’re arguing at any time when their child isn’t screaming).
Additionally, Mona herself is considerably emotionally adrift; she’s 25 and the truth that she hasn’t found out a profession but is beginning to hassle her, particularly since Robby is changing into a workaholic. She and Robby aren’t married and even engaged, and he’s began dropping hints about wanting to begin a household. Her evening terrors, which contain erratic bouts of sleepwalking, worsen—and star a determine that appears like Robby however with perceptible menace oozing out of each pore.
When Mona finds out she’s pregnant, Nightmare provides one other layer of ickiness to its story; whereas we’ve seen many tales of evil creatures that focus on expectant moms and/or newborns, it’s much less widespread to comply with a girl who doesn’t need to be pregnant and chooses (after some invasive pushback from her physician) to get an abortion as a substitute. There are issues, since a child may be very a lot part of the Mare’s plan for Mona, so she seeks assist from a distinct medical enviornment: a sleep specialist named Aksel (Dennis Storhøi) who not solely understands what she’s going by means of, but additionally has experimental know-how that simply may permit Mona to slide out of the Mare’s grasp.
The items are in place for a compelling and disturbing story informed very a lot from a girl’s perspective, and Harboe makes good on the promise she confirmed in Thelma with one other emotionally wrenching efficiency. Sadly, Nightmare isn’t fairly in a position to execute its concepts in a satisfying approach. Numerous the film takes place in Mona’s surreal dream world, and the story drags at occasions even when she’s not sleeping; being confined to the dreary house constructing doesn’t assist maintain issues thrilling. There’s a component of intrigue that comes with Mona’s neighbors, and there are hints there’s extra to the story than simply Mona’s experiences. However for all its hat-tips to Rosemary’s Child, Nightmare by no means explores a lot of a conspiracy angle, or digs into why Mona and Robby’s house constructing has such sinister bones, and even fleshes out Aksel in any fascinating approach. Maybe that’s intentional, to maintain Mona’s story extra intimate. However the fact is there’s nothing as horrifying in Mona’s goals as the best way she’s handled by her OB/GYN when she’s conscious.
Nightmare arrives on Shudder September 29.
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